We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

Philosophical pulp fiction - compendium

by A Espiral de Bukowski

supported by
/
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
12.
13.
14.
15.

about

Philosophical pulp fiction - compendium:
1. The shape of things to come in the brave new island of Solaris - pt 1 (2:58)
2. The shape of things to come in the brave new island of Solaris - pt 3 (3:22)
3. The peach blossom spring of Walden two (8:12)
4. Nova express always coming home in 1984 and the iron heel of Darwin among the Machines - pt 1 (2:47)
5. Jonas the receiver is the last human in the country of last things - pt 2 (2:43)
6. The unbearable lightness of being the professor, the maid and the pupil - compendium (10:15)
7. Waiting for mistress Kate with infinite jest – pts 3 & 4 (5:28)
8. Piovasco and the rest of adventurous life in trees - pt 2 (4:21)
9. Victor Eremita before the law – pts 2 & 3 (8:08)
10. Binx in his everydayness on the road with resurrection notes from underground – compendium (7:01)
11. Simpler complex ones, William - pt 2 (3:27)
12. It is not worth without experiment, Mike - pt 2 (3:09)
13. Not malice when stupid, Robert (6:21)
14. The burden lies with the claimer, Christopher (4:29)
15. Ivan, take Larry to Andromeda (3:46)
Total: 76:27


A Espiral de Bukowski:
Cesar Zanin - synthesizers, effects processor, sampler, sequencer, loop station, field recordings, harmonica;
Mariana Cetra - vocalizations and Casiotone keyboard with guitar effect pedals, accordion, melodica, recorder, castanets, piano.

Featuring:
Alvaro Daguer – Casiotone keyboard (tracks 1 - 10);
Joel Whitworth – clarinet, tenor recorder, stylophone (tracks 1 - 10);
Cacá Amaral (Rumbo Reverso) – drums (tracks 1 - 5);
Leandro Archela - keyboard, synthesizer, piano, effects (tracks 6 - 10);
Bruno Hiss - vocalizations with contact microphone and effects pedals (tracks 6 - 15);
Rodrigo Dario - keyboard, synthesizer, effects (tracks 6 - 15);
Alexandre Marino - bent loudspeaker, chain, fiddle-bow, vocalizations and effects (tracks 11 - 15);
Marcio Gibson - drums (tracks 11 - 15).

credits

released May 20, 2015

Recorded from the stage by Cesar in São Paulo using a portastudio Zoom R16 during the three performances of the project “A Espiral invites”:
- Tracks 1 - 5 on 03/28/2015 at Ibrasotope (part of the album Journey to the end of a catch-22);
- Tracks 6 - 10 on 03/29/2015 at estudiofitacrepesp (part of the album The roads to asymptotic freedom);
- Tracks 11 - 15 on 04/22/2015 on IMPROVISE! at Trackers (part of the album The razor’s edgy).

Photos of the performances by Natacha Maurer, Fernanda Cirelli and Fernanda Trindade.
Artwork by Mariana, Rodrigo, Leandro and Cesar.


O Bosque / Woodland recordings 2015
woodland.blogspot.com

license

tags

about

O Bosque / Woodland recordings Bristol, UK

O Bosque / Woodland is a DIY label, dedicated to indiepop, lofi, electronic music, folk, experimental, shoegaze, rock and pretty much everything in-between.
It was founded in Brazil in 1996 and put to sleep in 2004, from 2008 to 2011 it operated in Brighton, UK, then back in Brazil until 2016, then put to sleep again and now in Bristol, UK.
... more

contact / help

Contact O Bosque / Woodland recordings

Streaming and
Download help

Redeem code

Report this album or account

If you like Philosophical pulp fiction - compendium, you may also like: